{"id":31590,"date":"2017-05-07T13:35:58","date_gmt":"2017-05-07T11:35:58","guid":{"rendered":"https:\/\/sodwee.com\/blog\/?p=31590"},"modified":"2017-05-07T13:35:58","modified_gmt":"2017-05-07T11:35:58","slug":"introducing-lydia-kitto","status":"publish","type":"post","link":"https:\/\/sodwee.com\/blog\/2017\/05\/introducing-lydia-kitto\/","title":{"rendered":"Introducing: Lydia Kitto"},"content":{"rendered":"

Somewhere between the realms of wavy escapism and\u00a0kinetic, neo-soul grooves lies “Sweet Minds”, the latest from Essex’s 22-year-old songstress,\u00a0Lydia Kitto<\/strong>. The caliber of nuanced and, hell – dare I say – nearly flawless production this track boasts\u00a0should\u00a0be enough to upstage any vocalist bold enough to find themselves overtop these misty synths and Stones Throw-esque drums.\u00a0Should<\/em> be…<\/p>\n

The fact is, Lydia’s voice winds up being the most important instrument of all on “Sweet Minds”, serving as a spotlight amongst a sea of soft glows, and guiding us through passages of weightless free-flows and unbreakable rhythmic grasps alike. And so, the track lives up to it’s name – a sugary, cerebral foray into a vivid slice of imagination, complete with a thoroughly badass flute solo to guide us out.<\/p>\n

I want more sounds like this. You will too – just as soon as you hit play.<\/p>\n