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Alternative

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Defining music as alternative is often difficult because of two conflicting applications of the word. Alternative can describe music that challenges the status quo and that is “fiercely iconoclastic, anticommercial, and antimainstream”, but the term is also used in the music industry to denote “the choices available to consumers via record stores, radio, cable television, and the Internet.” However alternative music has paradoxically become just as commercial and marketable as the mainstream rock, with record companies using the term “alternative” to market music to an audience that mainstream rock does not reach.

Armand Hammer & The Alchemist - Mercy - Sodwee.com

Armand Hammer & The Alchemist – Mercy

Armand Hammer & The Alchemist’s Mercy drags you through beauty, ruin, and razor-edged poetry. A world of cracked beats, whispered warnings, and brilliant guests, it’s their most magnetic chaos yet — unsettling, addictive, and impossible to shake.

Fruity Loops: Blood Orange

“My Old Ways” tastes like a blood orange cut under neon light — bittersweet nostalgia dripping through synth haze, where every bite reminds you change was inevitable… but damn, it still tastes good.

Fruity Loops: Cherry

FRMTN’s ‘Drugs’ pulses like a sour cherry — slick, bold and bittersweet. A vivid track review pairing the sound of the London band with the fruit you’ll taste in the groove.
Minot - People Pleaser - Sodwee.com

Minot – Walls / People Pleaser 

Missoula’s Minot unleash Walls / People Pleaser, a scrappy lo-fi garage punk 7-inch that pairs fuzzed-out workplace despair with a deranged slice of 60s pop. Dual songwriting, DIY charm, and percussive chaos make this Lathe Cut a beautifully unhinged listen.