Helado Negro & Reyna Tropical – Helado Tropical
Like finding the perfect patch of shade on a scorching afternoon, Helado Tropical is cool, comforting and impossible to leave behind. Helado Negro and Reyna Tropical deliver nine effortlessly gorgeous songs that linger long after the ice has melted.
Dua Saleh – Of Earth & Wires
Dua Saleh returns with Of Earth & Wires, a soulful and shape-shifting album blending indie, R&B, Sudanese folk, and electronic experimentation into a powerful meditation on grief, identity, and home.
Basement – WIRED
Ipswich band Basement return with WIRED, a loud, emotional and deeply satisfying alternative rock record packed with huge hooks, raw atmosphere and restless energy.
Yaya Bey – Fidelity
On Fidelity, Yaya Bey turns grief into groove, delivering a warm, genre-blurring meditation on loss, healing and the radical act of choosing joy.
Arctic Monkeys – Opening Night. From HELP(2)
Arctic Monkeys quietly steal the opening scene on HELP(2) with their brand new track titled Opening Night. A restrained, cinematic cut that sets the tone for War Child’s urgent new compilation. No grandstanding, just purpose.
Robyn – Sexistential
Robyn returns with Sexistential, a fearless and euphoric pop album that reclaims pleasure, vulnerability and the dancefloor after Honey.
Armand Hammer & The Alchemist – Mercy
Armand Hammer & The Alchemist’s Mercy drags you through beauty, ruin, and razor-edged poetry. A world of cracked beats, whispered warnings, and brilliant guests, it’s their most magnetic chaos yet — unsettling, addictive, and impossible to shake.
ROSALÍA – LUX
Rosalía’s LUX isn’t just an album — it’s a cosmic opera that smashes pop conventions, loops the London Symphony Orchestra through 13 languages, and rewrites what modern music can feel like.
Aesop Rock – I Heard It’s a Mess There Too
Aesop Rock returns with I Heard It’s a Mess There Too, a stripped-down, lyrically surgical record that turns chaos into clarity. Where deadpan humor meets existential hygiene.
Dave – The Boy Who Played The Harp
Dave returns with The Boy Who Played The Harp, a deeply introspective and lyrically flawless third album that fuses biblical symbolism with Brixton soul. Featuring Kano, James Blake, and Nicole Blakk, it cements his reign as UK rap’s thinking man—poetic, powerful, and unapologetically human.